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<i>Inside Out</i> came out in 2015 and it has continued
to be part of the conversation.

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We hear from people saying, oh,
this movie changed the way I think about parenting

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or the way I understand my own existence
and like, whoa, that's pretty heavy for a cartoon.

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Maybe there's more to be done with this world.

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"Ok, who's this guy?"

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We tapped Kelsey Mann, who's the director of this film,

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to go think of some other ideas that would be set
in the same world of <i>Inside Out</i>, but not the same.

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"Who made the console orange"

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"Hello, everybody."

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At the end of the first film
Joy asked, "After all Riley's 12 now, what could happen?"

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Well, I wanted to answer that question.
The answer comes in her becoming a teenager.

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And that was a difficult time in my life.

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The first film did a lot of good in our world.

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If I could tell a story that made some
teenagers lives that much easier,

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then I wanted to jump at the chance to do that.

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"There are high schoolers!"

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"Hello, I'm Anxiety."

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You know, this is the first film that I've ever directed

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and so just like Riley,
I'm going through a lot of change myself.

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Have a little bit of anxiety, little bit of joy in there too.

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But it's all about
navigating those different emotions.

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A lot of it is me trying to connect to myself as a teenager

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and all the changes that I went through
at that time that helped me

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get through all the changes
I'm going to go through as a director.

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I get to follow in the footsteps
of the great Pete Docter.

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"I am just such a huge fan of yours!"

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I learned so much, he helped me immensely.

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I think younger audiences will walk away
with some new tools

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to be able to visualize
some of these very abstract ideas.

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How do memories work? What is anger?
What is joy? And what's the purpose of disgust?

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All these things we try to talk about in ways
that they hadn't seen before.

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In fact, for this film,
one of the first decisions I ever had to make

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was what aspect ratio am I going to choose?
Because Riley is a teenager

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and her world is expanding,
she's adding new emotions at the console,

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why not expand that aspect ratio out to 2.39:1?

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So, we did that for this film.

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The spectacle is definitely bigger than the first film

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that really takes advantage
of seeing a larger cast

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and more visual, so it's just much more immersive.

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It's bigger, it makes you feel more.

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I can't wait for you guys to see it up on the big screen

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and all the wonderful new places
that we get to go inside of Riley's mind.